Coming soon: two books by JJ Deceglie

JJ Deceglie’s ‘the sea is not yet full’ – out now

Black Rider Press is proud to announce the release of the sea is not yet full by JJ Deceglie, an ebook version of the novel previously published.

the sea is not yet full is the story of Sep, an Australian writer roaring through flickering life, love and despair. It’s the story of Fremantle, Western Australia, and its brilliance and squalor. It’s incandescent. It’s Beat. It’s a punch in the gut.

Thrown in with a listless generation, Sep doesn’t understand his life or his reasons. Where is all he once knew? Sep will risk it all for a spark. Loss. Lust. Literature. Love. Limbo.

JJ DeCeglie was born and bred in Fremantle, Western Australia, and writes from Melbourne, Victoria. His work includes the novella the sea is not yet full, the short story collection In The Same Streets You’ll Wander Endlessly, and the novels Damned Good, Ennui and Despair and Drawing Dead. His next novel, Princes Without a Kingdom, is forthcoming.

His works have been published in France, the United States, the United Kingdom, New Zealand and Australia.

Find out more about JJ at www.jjdeceglie.com and www.damnedgood.com.au

Read into JJ’s words in conversation with Black Rider.

Cover art by Ryan Swearingen

What they’re saying

“Squalid and brilliant. It reads to me like James Joyce getting blind drunk with Bret Easton Ellis. I don’t recall a novel which has captured the breadth and depth of the city – from freeway to Fremantle, river to beach – with such scope and energy. It is a blooded, passionately despairing portrait, a testament not just to passion but to talent”. – Nathan Hobby

“…a transgressive fever dream, an intense assaultive descent into the horrors of self”. – Levi Asher

“..touches on human emotion like few have been capable of achieving. Nothing is censored and it is refreshingly authentic. There is so much about this book that is universal. It does something few authors have been able to do – move me to tears”. – Monique Rothstein

“There is a clash occurring in the sea is not yet full, between the world of twentieth century European and American literature and twenty-first century Western Australia, with its vacuousness and nihilism. This is an age after history is finished, Deceglie seems to be suggesting. It is a time when there’s nothing left to tell. And yet our small lives flicker on.” – Guy Salvidge

Now available

The ebook can be purchased from a range of online stores, including:

Amazon Kindle
Kobo Books
Borders Bookstore
Sony Bookstore
Barnes & Noble
with more stores coming soon.

 

Coming soon: ‘the sea is not yet full’ by JJ Deceglie

the sea is not yet full is the story of Sep, an Australian writer roaring through flickering life, love and despair. It’s the story of Fremantle, Western Australia, and its brilliance and squalor. It’s incandescent. It’s Beat. It’s a punch in the gut.

Thrown in with a listless generation, Sep doesn’t understand his life or his reasons. Where is all he once knew? Sep will risk it all for a spark. Loss. Lust. Literature. Love. Limbo.

“Squalid and brilliant. It reads to me like James Joyce getting blind drunk with Bret Easton Ellis. I don’t recall a novel which has captured the breadth and depth of the city – from freeway to Fremantle, river to beach – with such scope and energy. It is a blooded, passionately despairing portrait, a testament not just to passion but to talent”. – Nathan Hobby

“…a transgressive fever dream, an intense assaultive descent into the horrors of self”. – Levi Asher

“..touches on human emotion like few have been capable of achieving. Nothing is censored and it is refreshingly authentic. There is so much about this book that is universal. It does something few authors have been able to do – move me to tears”. – Monique Rothstein

“There is a clash occurring in the sea is not yet full, between the world of twentieth century European and American literature and twenty-first century Western Australia, with its vacuousness and nihilism. This is an age after history is finished, Deceglie seems to be suggesting. It is a time when there’s nothing left to tell. And yet our small lives flicker on.” – Guy Salvidge

About JJ Deceglie

JJ DeCeglie was born and bred in Fremantle, Western Australia, and writes from Melbourne, Victoria. His work includes the novella the sea is not yet full, the short story collection In The Same Streets You’ll Wander Endlessly, and the novels Damned Good, Ennui and Despair and Drawing Dead. His next novel, Princes Without a Kingdom, is forthcoming.

His works have been published in France, the United States, the United Kingdom, New Zealand and Australia.

Find out more about JJ at www.jjdeceglie.com and www.damnedgood.com.au

Read into JJ’s words in conversation with Black Rider.

Cover art by Ryan Swearingen

Black Rider presents The Diamond and the Thief 22

Artwork by Ryan Michael Swearingen (www.myeyemachine.com)

…and now on to edition 22 of our minizine, with all the announcements of the Marquise of O.

In this edition Corey Wakeling looks to the deserts, Allison Browning hears the moment, JJ Deceglie descends to ascend and Kirk Marshall talks human theremin.

Look homeward, angels!

Jeremy
The Black Rider

Black Rider presents The Diamond and the Thief – March ’11 edition

Artwork by Ryan Michael Swearingen (www.myeyemachine.com)

…and now on to the March edition of our minizine, like a self-portrait in a convex mirror.

In this edition JJ Deceglie brazenly follows on with wild eyes from the sea is not yet full.

Look homeward, angels!

Jeremy
The Black Rider

Kickin’ it with JJ Deceglie

It took me about a year to track down JJ Deceglie.

I’d originally found him through following (and later publishing) Nathan Hobby’s work. For ages I’d been wanting JJ to climb up onto Cottonmouth’s stage. I couldn’t get a hold of him. I couldn’t  find him – too elusive, too non-descript.

See, JJ is exactly the kind of hepcat I dig. This cat’s work is so heavy – forget whatever you’re told anything is supposed to be. This cat is so heavy.

He’s concocted the novella the sea is not yet full, the short story collection In the Same Streets You’ll Wander Endlessly, Australia’s first novel about poker Damned Good, and his most recent novella Ennui and Despair. Plus lots of stories published all over the place.

Out of the blue a year later I heard from him, had crept out of the depths of Freo, and over jars in the Sail & Anchor then the flurry of maddening schemes, plots, codifications, defiant contrivances, irreverent. And mad for the High Ones in the Berryman sense.

So with JJ soon taking over the oncoming edition of The Diamond & the Thief, here then some of our conversation while kickin’ it.

Last time we spoke, we talked about how it was your love for poker that led to your novel Damned Good. The high stakes poker storyline goes that deep into the character’s psyche, how much of it is researched and how much of it did you live?

I think of it sometimes as a completely psychological novel; one that uses poker as a metaphor to detail a method of living one’s existence in a particularly intense way, and the agony that can come with that.
In another way it is a completely philosophical novel; guidelines to attempting life as an existential superman, and again the intensity required for that. Then again it’s also just a book about poker; also a veiled personal mythology of myself and my life and things I’ve felt and known. It’s about  failure mostly. Gambling and failing and having nothing left, but gambling yet again to get something back. There is no other way for the character, none that he can see anyway.

There’s an answer in there somewhere.

Damned Good’s ascendant and subsequent descendent arc is split by a guide to authentic poker, my fave sub-chapter being ‘In the End as in the Beginning’. How did this li’l guide come about both in content and where it sits in the story?

The actual poker guide was the publisher’s idea. I wasn’t particularly keen at first (and told them so) but went out one day and wrote some stuff down and it just flowed and I liked how it sounded. I thought I can do this and it can add rather than take away.

The way I see it is that it is something ‘The Rookie’ wrote during that period in which we aren’t with him. I had to pare down the story and took some of those parts out (sections that ‘The Rookie’ had written, along with a more surreal ending).

We know he burns a manuscript of sorts and this is what would have come outta him. In terms of content it’s a hybrid of mostly individual mysticism, throw in arcs along similar lines to that of Heidegger, Gurdjieff and Camus and you could maybe leave it about there. Perhaps a mention to old Nietzsche too.

I’ve become convinced you’re spelunking into the inner caves of what it means to be or become man while thrashing through life. (“A man is, or he isn’t.”) Do you find these protagonists are done and/or undone at their own hand?

There are, and are not. As is anyone really. For men such as these there may be no other method. Not to their eyes or hearts, not in their sphere of existence. They have to know, and will push until the bloom or wreck shows itself as the result. It is about living, how best to do it, how to actually know it and feel it and yeah to be a man, but to become a man as a result of prolonged authentic experience, not one by what you have stored up or borrowed or read about. It must be lived. I think I use the writing as a method of figuring these things out for myself; and I can tell you wholeheartedly that I have no definitive answers.

Ennui and despair, is this our inheritance?

Both are by-products of intensity and misplaced authenticity. Both are the run-off of failure and collapse. Both are the end result of abject misunderstanding and a vein of hopelessness that can be felt so strongly at times wandering about on this earth. Though both are battled with hope and beauty, and both are rendered next to dead by courage and individual responsibility acknowledged in one’s existence. If you are really trying, you have to feel them both at some stage, don’t you – I can’t see any other way.

Wherein do we find answers?

Find what you wanna do, do it with everything damn thing you got; but expect nothing without work. So work and work and work. You’ll probably still lose, and you will definitely die, but it’s better than dying while you live.

What’s next for you?

I got a novel called ‘Princes Without a Kingdom’ coming out with Disruptive Press real soon. It’s a 400 plus page work, and I spent 18 months on it over 2009/10. It’s my Dostoyevskian effort, hopefully the first of many. Big characters colliding like planets, different attempts at existence personified, talking it out, living it out, fighting life in drastic efforts to see what works best and most.

I got some poetry I’m working at too.

Also a hardboiled noir novel. 

Why press on? Why continue? What is it with obsession? I’m thinking about this: “All you have, the lot, before, now and after, the real gambler, the real artist, it is risked every time, and it is accurate living; the will to live burns most intense only in the moments of unchecked creation, or in the winning at the highest possible stake.”

I think you either understand it the way it is written above, or you don’t.

Confusion or bewilderment?

Bewilderment. Complete and absolute. You can clear up confusion, you can elucidate it. Bewilderment is akin to disorientation, to perplexity, and I know and feel it like one would a sibling. It cannot be altered, it can only be lived, accustomed and adapted to. We habituate it.

What’s coming around the bend? And how fast are we running toward it?

More of the same, unless you change it, so buckle up, or expire now.